Sridevi
was a National Star
Sridevi Kapoor Ayyappan passed
away on Saturday, Sridevi as a child
artiste and Amitabh Bachchan, more
than 20 years her senior, faced the camera for the first time at the same time. She packed into her short
life of 54 years almost 300 films and a career spanning five decades. She is known for the diversity of roles she
played not restricted by linguistic
or territorial boundaries. She acted with several generations of heroes.
Her first adult role happened at the age of 13,
opposite Kamal Haasan and Rajinikanth. The Hindi remakes Solva Sawan (1979) and
Sadma (1983) forced the Hindi film industry to take note. She
managed to display her enormous range in Hindi films too. She comfortably swung
between parallel streams of critical and commercial hits in Hindi. Chandni, Mr. India, Chaalbaaz and Lamhe
showed her versatility — drama, emotion, dance, comedy, even action. The only sad thing is that she could not cross
over to international projects.
She was an excellent artist and good
entertainer. No other actor has dominated both Tamil and Hindi movie worlds. Her
demise is a great shock to her fans all over the world. She was a versatile
artist. But her talent, specially in the 'art ' movies has been under-utilised.
Her performance would have been at the peak under more intensive directors like
Shyam Benegal or Mrinal Sen.
Sridevi is called a National Star. She
did not have a normal childhood. She grew up hopping from one set to
another, closely guarded by her mom and lawyer-father. In an era when actresses
could not vouch for author-backed roles or choose between the parallel cinema
wave and mainstream cinema Sridevi’s career encompassed a healthy mix of both.
She didn’t complain about the damsel in
distress-parts in films The poorly
crafted roles that are often written off as ‘commercial’ ones enjoyed new sheen
when she essayed them. Her personality was a director’s dream — the mettle, the
dances and her comic timing.
What is appreciable is the sincerity with which
she played her roles, her live-wire self on screen was a treat to watch. She was
a woman assured of her space, stardom and a pay cheque that matched male stars’.
She had set a standard that no other heroine could match.
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