The uproar over 'Sarkar'
The AIADMK in Tamil Nadu has forced
the makers of the Tamil film Sarkar to cut a scene and mute some dialogue,
ostensibly because they are critical of government policy or offend their
sensibilities. AIADMK supporters went on a rampage in cinemas that screened the
film.
This film has become an easy target
for the AIADMK dispensation, as it is critical of welfare schemes for which the
State is renowned. Part of a woman character’s name will now be muted to avoid
any impression. Images of people throwing into the fire mixers and grinders
they had got from the government have also been snipped. The legal position
that there should be no further enforced censorship once a film has been
certified by the Central Board of Film Certification has been wilfully ignored.
Producers are frequently forced by
the politically powerful to compromise. These politicians should understand that
films will and should make comments on issues of social importance. They have
no right to take the law into their hands. What provoke them is the fact that
there are films which depict governments, policemen, doctors, teachers and even
judges as criminals.
Cinemas have an unusual influence
on voters in TN & that treatment of political issues in Tamil cinemas can
mislead the gullible public. It is true that the movie makers should desist
from the temptation to take the easy route for a commercial success by stoking
controversies without a proper understanding.
It is not AIADMK or BJP alone, who
will be averse to criticism, but all political parties whether big or small had
thrown their weights and created ruckus at different points of time in the past
for objectionable scenes in the movies. Sometimes it appears that democracy is
being protected from a corrosive polity with barely a wafer thin coating of law
and order. Political thuggery and vandalism doesn't belong to this century,
especially when it aims to stifle people's fundamental freedoms enshrined in
the constitution.
Films make deep impact on society.
That is why rulers are afraid of films that question their policies. They try
to stop such films. One of the ironies in Tamil Nadu is that sometimes serious
social issues are debated more in commercial cinema than in the political
arena.
As much as films and newspapers
have right to comment, those who are hurt and oppose those comments have right
to protest without violence and take every step law provides them too. It is
not one way street.
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