Movie World
‘Chopsticks’ is a film without ‘formula’ based content
By Dinesh Kamath
The Hindi film industry is still
running behind the usual "formula" based content. There is no
experimentation being done. Actor Abhay Deol believes the web space is a
"godsent opportunity" because it provides opportunity to experiment.
In Hollywood, their drama became so
good on TV that now you only see superhero films releasing (in theatres) as
cinema has become all about a spectacle. If you want to watch good drama, then
you watch it on HBO or Netflix.
In India, films have never actually
gone beyond the formula. But there are expectations for Bollywood to match up.
The 43-year-old actor, was himself a part of Shah Rukh Khan-starrer Zero, which
fell flat at the box office.
The audience is done with
"larger than life stories" in Hindi films. That’s the reason why Abhay
is making his digital debut with Netflix’s Chopsticks.
In Sachin Yardi-directed
Chopsticks, Abhay will be seen playing a conman alongside actress Mithila
Palkar. This is not the first time Abhay will be seen playing a conman. It is a
role he memorably played in Oye Lucky! Lucky Oye!. This (Chopsticks) character
is far more suave and urban from the Oye Lucky! Lucky Oye! character. And for
him, stealing is something he does with a passion. It's something he's good at.
Chopsticks is an Indian
Hindi-language comedy drama film directed by Sachin Yardi and produced by
Ashvini Yardi. It stars Abhay Deol and Mithila Palkar in the lead roles. The
film is a story of a woman who is referred to an enigmatic con man who agrees
to help recover her stolen car from a thug for free, and how it brings about
change in their lives. It was released on 31 May 2019 worldwide on Netflix.
The film has Abhay Deol as Artist,
a con man, Mithila Palkar as Nirma Sahastrabuddhe, a Mandarin translator, Vijay
Raaz as Faiyaz Bhai, Benafsha Soonawalla as Ananya, Achint Kaur as Zacharia and
Narendra Khatri as Farooq, a caterer.
Rohan Naahar of the Hindustan Times
rates the film with two out of five stars. He feels it has muddled story which
is low on comedy, and writes, "Like the inconvenient cutlery it is named
after, there’s little reason to try it if there are alternatives to be
found." Shrishti Negi of the News18 also rates the film with two out of
five stars and opines that the film never rose to its true potential. Anupama
Chopra of Film Companion opines that the humour inherent in a sitcom has not
come out as the film scenes are preposterous.
The movie talks about what happens
when a young girl, a mysterious con man, and a goat-loving goon indulge in a
cat-and-mouse chase to retrieve a stolen car? This is what unfolds in Netflix's
latest Indian original offering, Chopsticks, starring Abhay Deol and Mithila
Palkar. The film has been written and directed by Sachin Yardi (Kya Super Kool
Hain Hum).
This is the plot. The film talks
about a cat-and-mouse chase in pursuit of a stolen car. An under-confident yet
sweet young girl buys herself a brand new car from her hard-earned money, only
to get it stolen the same evening. The rest of the film chronicles her quirky
but transformative journey to retrieve her car from a local gangster, with the
help of a charming con man.
Chopsticks, in a way, is like a
start-up idea that sounds cool, to begin with, but when put to action, it fails
to make a mark. The film's initial half-an-hour is engaging, and promises an
entertaining ride.
Abhay and Mithila play their top
game. Mithila Palkar (Little Things, Karwaan) as the shy and naive Nirma
Sahastrabuddhe, working as a Mandarin translator in Mumbai, delivers a sweet
and memorable performance. She is enjoyable in almost all her scenes. On the
other hand, Abhay Deol, as an eccentric and charming con man, is effortlessly
compelling. For someone who has pulled off way harder roles, this one is an
easy picking. Vijay Raaz and Arun Kushwah are great. Vijay Raaz as the
short-tempered local gangster, Fayyaz bhai, who, for some unknown reason, is
obsessed with goats, is flawless as usual. Having done uncountable roles of
this kind in the past, this is an easy turf for the Gully Boy actor. Arun
Kushwah also appears in a small role, in the form of a saving grace in this
otherwise boring film.
Netflix has aggressively targeted
India for growth and the new projects will follow the critically acclaimed crime
drama series Sacred Games, upcoming cricket drama show Selection Day and the
eagerly anticipated historical epic series Baahubali: Before the Beginning
based on the hugely successful film franchise.
Here is some more information about
the characters of the film Chopstic. Nirma Sahastrabuddhi (Mithila Palkar) is
an introvert, under-confident Mandarin translator, who tends to vie with her
fellow colleagues for their boss’ attention in order to grab more important
opportunities at work. Even though she is regular and proactive in her job, she
ends up showing Dharavi and Dhobi Talao to foreign tourists. While her
colleagues deal with international bankers at five stars. Her less developed
vocabulary (‘work outing’) and poor pronunciation-- she pronounces the ‘L’
letter in Salmon-- always prove a formidable obstacle to her success. She is
scared and awkward in social interactions as well, until a tragedy triggered
her to step up and communicate with the most random people under the sun. Soon,
she embarks on a thrilling adventure when she enlists an attractive conman Mr
Artist (Abhay Deol) who eventually becomes her guide toward recovering her
stolen car from a Mumbai thug.
Abhay Deol’s character is so cool
that he can open any safe or lock without the keys. How? Well, he believes that
every lock has a heart and he simply needs to hear its heartbeat to open it. Deol’s
comical smirk of complicity is appealing, and soon we see Nirma and he are
hanging out, having fun and not admitting to themselves or each other their
growing tenderness.
There’s a goat-loving gangster,
too, in the movie— played by incredibly exceptional Vijay Raaz. However, his
scenes are only limited to giving out weird punishments to people.
Chopsticks uses its premise to
explore a variety of themes, including loneliness, social phobia and romance.
But it only pretends to work towards a climax which turns out to be wholly
disappointing.
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