The iconic jodi of 80s of realistic cinema, Deepti Naval and Farooque Shaikh have come together in a film after many years. Those
who have been yearning to see the magic of the most loved pair of its times
once again on-screen, the film Listen...Amaya will fulfill their
wish. Thanks to debutante director Avinash
Kumar Singh who brought the couple in a full-fledged role.
Deepti has reunited with Farooque after years. It's not that for
28 years they didn't meet at all. They often ran into each other at various
occasions. It's just for the audience that they are seen together after a long
gap. They picked it up from where they left. Now Listen...Amaya brings them
as the main protagonists.
Besides Farooque,
it was a mature subject and a completely new set-up which induced Deepti to take up Listen...Amaya. After a
long time there was a mature subject, a proper script which was presenting her
and Farooque in a right manner. With
a new director, new set up and Farooque being
there Deepti grabbed it with both
the hands.
What makes Deepti
and Farooque's pairing so endearing is
the fact that both of them are mature and competent actors. They have a great
tuning on-screen and comfort level. And that's the reason people have so much
curiosity and are excited to see them together.
The two were a very popular pair of 80s. More than them
it was the filmmakers' contribution that made them so lovable.
The film Listen...Amaya talks about the
relationship between a widowed mother and daughter and also the mother's
relationship with another man. They are not drawn to each other or romancing
each other. They share a very mature relationship. It's more about
companionship. They want to spend time together, be with each other. They like
each other's company. It sort of raises various questions like whether they
should get into relationship at this age and stage? Whether parents should be
parents and stop being man and woman? Whether middle-aged people can find love
again?"
As far as Deepti
and Farooque are concerned Listen
Amaya will rekindle the old romance. It's a lovely subject and handled
sensitively by Avinash Kumar Singh.
You can say that it is redefining their jodi, however in the middle-age.
Avinash Kumar
Singh,
director of the film Listen Amaya, and his wife wrote the
film for Farooque Shaikh and Deepti Naval. They knew they wanted
people of that calibre, that stature and look. The husband and wife were lucky
that when they wrote and narrated it to the two actors, they agreed, even
though they were first time directors.
The film tells the story of Amaya and her widowed mother, who begins to develop a relationship
with Amaya's friend. Listen
Amaya stars Swara Bhaskar in
the title role while Deepti plays
her mother. The leading lady of Listen... Amaya is Swara Bhaskar.
The USP of Listen...Amaya is that it is a very
emotionally charged film. Such subjects do have the tendency of being
overdramatic, but that is not the case here, and the reason is that Listen...
Amaya has a very good script.
Listen...Amaya does prove that Swara is on dot. And with actors of the
caliber of Farooque Shaikh, Deepti Naval
and Swara (who has already shown her
acting potential in Tanu Weds Manu) at the helm of affairs, Listen...Amaya will
indeed be a very engrossing fare.
Swara Bhaskar has an author-backed role
in Listen...Amaya.
She essays the title character. And Swara
is mighty excited about it!
Swara may be known to perform
with ease; however, she found her character in Listen...Amaya pretty
challenging. It's always easy to play oneself. So, it was pretty challenging as
she was completely different as compared to Amaya.
She had to relate with the emotional impulses of the character and bring out
the required vulnerability. Swara,
who shares screen space with the seasoned actors, is happy to have associated
with Deepti and Farooque as they brought in a lot of creditability to the project.
She got to learn a lot watching them. They made a wonderful pair on-screen,
also they are very effortless actors. They both made her feel at ease.
Besides these two pairs of spouses at the helm, the
story too revolves around a couple in love. A library-cum-coffee shop is owned
and run by Leela Krishnamoorthy, a
middle-aged widow. Amaya, Leela’s
only child, is a firebrand 22 year-old writer, quick witted, confident and open-minded.
They adore each other.
Jayant Sinha, a 60-year-old retired
photographer, continues his chosen profession as a hobby. A great friend to Amaya, he decides to co-author a coffee
table book, titled Memories…Of The Busy Bazaar. He also meets Leela and they strike a rapport.
One day, when Jayant
spends the night in Leela’s home for
a certain reason and Amaya walks in
on them the next morning, she misunderstands their relationship.
This is not a film to be watched in a hurry, but
something to think about and carry home with you, which you will. The movie
passes on the message that love had no age barrier.
Thus the film is about Amaya, a girl who like all the other girls, thinks of parents as their
providers and forget that they are individuals who have their own needs. They
may even accept this about others till it happens in their home. And then the
prospect of sharing one’s mother with someone else throws one off-kilter.
Sometimes, they even accept this friend, but the thought of a parent having a
sexual relationship with someone else is unbearable.
This sweet, heartwarming film that takes a deep look
into the complex relationships in life certainly holds promise for some lovely
music. The music department is headed by the young and multi-talented Indraneel Hariharan with lyrics by Punam Hariharan.
The film has songs like Hey Hey Mrs. K sung by Ankur
Sabarwal, Vidhi Sharma, Jeetendra Singh Jamwal and the composer himself, Mann Ki Patang by Vidhi Sharma, Ek Ladki Bheegi
Bhaagi Si by Kunal Ganjawala and
Kashmakash by Kunal Ganjawala. Music will certainly prove to a plus point of the
film.
Deepti Naval as a free spirited South
Indian middle aged widow who runs a book shop belonging to an old era, which
also is a hangout where one can have coffee, Swara as her only daughter, 22 years of age, a writer, and a girl
of the present times, confident and with a street smart sense of humour and Farooque as a 60 year old photographer
who documents life, people and the memories associated with their process of
growing, and who hits off quite well with the daughter Amaya have done excellent jobs in this film.
Thus the fact that modern women these days,
especially a mother and a daughter living in metropolitan cities are undergoing
this change in dynamics of relationship owing to mothers finding some hope of a
new partner to hold their hands at the far end of their lives, and how the
daughters reach, understand and help the mother in warming up to a new
relationship is what forms the crux of Listen Amaya. Do watch the film.
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